Recollections of Glastonbury: The Ups and Downs of Performing at the Festival

But we said. We said the last time that we’ve done glass, we’ve never really. We’ve never really pulled it off. A glass of beer. I don’t think when we were on that second stage of two in the afternoon was the best. We always blow the big gigs. We always somehow managed to, George, best it. The first time we outlined it, we played too many songs of Morning Glory, which hadn’t been released then. I mean, looking back, when you look at the set list, it’s colossal. But nobody had heard Champagne Supernova do that. Can I hang on? All the songs that we played. And I think the last time, uh, we had scrapped an album that was supposed to come out the week of that festival. So we kind of. It was a bit of a dark squib thing you people call it. Didn’t. And, uh, for Glastonbury. I always said this about Glastonbury. It’s great to be at, but it’s not really. It’s not really great for people like us to play at because you kind of. You don’t go on to 11 o’clock at night and all the people that you’re with, five. Five to 11 are absolutely battered. So by the time you get off at half 12, you just playing catch up all night and trying to make sense of what your girlfriend’s saying. You know, you just kind of. I don’t understand what you’re saying anymore, you know, I think it’s better To be at than to play at, I think. Oh, well, that. That was always my opinion, then