Do you know, the way I talk about Joe is obviously just ridiculous.
Yeah, she’s crazy.
Yeah, she’s crazy.
But. But, but,
but, like,
hats off to you as an artist. You.
I think when you’re, like,
on set and when you’re playing her,
like, you identify with her so much and.
And, and.
And again, I think that’s beautiful.
I think the way I view Joe in some ways
limits the way I’m able to portray him.
Whereas, like,
you know, you, uh,
you really embrace her, I think.
Or you. I don’t know.
Is it. Is it accurate to say that you, like,
embrace your characters? You, like,
you do something very right.
Yeah. To the point where, um.
When I was watching the third season and we’re just like.
I think it’s the same. It’s like the first episode,
like, just starting it,
and we’re like in the basement and I just killed Natalie,
and we’re like, yelling at each other. I was like,
I. My mouth is a gape.
Yeah, I was like,
this is crazy. I was like,
she’s so fucking crazy, you know,
cause at that point, I’m dead,
you know, like, I’m.
I have a distance from it.
And now I’m watching it and I’m like, no,
I was really in it. Like,
I was really like, these are the circumstances.
This is her justification.
Yeah. And that’s it,
you know, like,
I need to say these lines.
They need to be felt. Completely. Yeah.
You know, like, there’s no room to be,
like, judgmental or analytical.
Judgmental or analytical of it?
Like, that’s not my place.
I mean, now I have my judgments.
Like, I would say she’s crazy,
she’s a serial killer. Like, she’s,
you know. But I also know exactly how she got to be how she is.
Yeah. Actually,
I have a very soft spot in my heart with some really,
like, almost problematic.
Yeah. Yeah.
Like, she.
Like, she.
She’s not a serial killer.
This just came out. Don’t make her do it.